Metaphorical Rendition Of Cassia Tora Root Forms In Painting

1.0 INTRODUCTION
This chapter introduces the Metaphorical Rendition Of Cassia Tora Root Forms In Painting and its relevance, states the research problems, research questions, and objectives, provides a background of the study, and should also include the research hypothesis.

In this chapter, Metaphorical Rendition Of Cassia Tora Root Forms In Painting is critically examined through a review of relevant literature that helps explain the research problem and acknowledges the contribution of scholars who had previously contributed immensely to similar research. The chapter intends to deepen the understanding of the study and close the perceived gaps …

6.2 Conclusion

Deducing from the outcomes of the objectives, redefinition of experiences can help people to live a happy life. The study dwelled on analogous juxtaposition of root forms and contents. The Cassia root Tora pattern is umbrella-like in shape and in monochromatic shades of brown. The taproot (central root) is orchestrated by branch roots and nodes. The researcher saw the opportunity that Cassia tora roots could offer in creating paintings. He reckoned the possibility of metaphorical approach in utilizing the root forms to create compositions.
Enchanted by the dynamic patterns of Cassia tora roots, the researcher carried out series of studio experimentation with Cassia tora root forms in the light of elements and principles of design as well as speculative notions, allegories, stories and societal happenings. This led to the production of non-figurative paintings. The final procedure was the analogous process which aided the researcher in juxtaposing Cassia tora root forms with storylines reflecting on the wellbeing of Nigerians. The paintings produced redefine root forms in diverse ways, such as metaphors for inspiration, perseverance, peace, coexistence, reincarnation, unity, progress, love and cultural evolution.

This study shows that artists are capable of creating knowledge by visually contemplating plant roots in painting. It is a stimulus of philosophical thoughts that invokes the notion of „elevating the ordinary (weed, such as Cassia tora)‟ to the extraordinary‟ visual symbols. Hence the research has fulfilled the assertion by Read (1977) that art has no limit and that it is everything that can be imagined and expressed. Contemporary artists need to acquire more knowledge of the environment and ascribe meaning to them, so as to understand the future. This study concludes that metaphorical rendition of Cassia tora root forms in painting, has created not only visual metaphors that express hope for a better Nigeria but also visual symbols that transcend the phenomena of roots beyond their botanical garden into icons of expression in painting.